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What We’re Listening To This Week posted on February 3rd, 2009
Just a little sampling of the artists that have been looping on our iPods this week…
1. Apollo’s Child
This yet-to-be-official young phenome first hooked me with one of his cover songs posted on YouTube, a heartfelt rendition of Imogen Heap’s “Hide and Seek.” In that moment, nineteen-year old Sean Ryan had earned another fan for his solo project. He calls himself “Apollo’s Child” and is responsible for, as he writes, “everything you hear.” Ryan, who describes his music as a mesh between rock and electronica, has found his way into the modern fanbase by spreading his music across sites such as Myspace, PureVolume, YouTube and Last.fm. Ryan was born into a musical family, inspired by his father’s love for The Beatles and by singing alongside his mother in the choir. Throughout his childhood and early teen years, Ryan perfected his musical talents, learning the arts of both performance and production. Using Apple Garageband, Ryan put together his first multi-track album, titled Masquerade of Aspersions. Though it was originally intended for friends and family only, Ryan later offered the music for free download online. Currently, Ryan is working from the ‘home studio’ in his bedroom to develop vocal tracks and collaboration projects for his upcoming album.
“Let’s Be Honest” – well-produced toe-tapping electronica
“Better Left Unsaid” – you don’t want to miss this meditation-worthy multi-part harmony
2. Bon Iver
Following a helpful suggestion from iTunes, I was fortunate enough to discover the “Blood Bank” EP from Bon Iver. What set these tracks apart from all the rest was the astonishing variability – each song off the EP could be in a different genre of music altogether. Bon Iver is the brainchild of indie folk singer-songwriter Justin Vernon. The band’s debut album “For Emma, Forever Ago” was released in 2007. Much of it was recorded during Vernon’s three month stay in a cabin in Northern Wisconsin, a frigid experience which ultimately led to the band’s name – a translation from the French for ‘good winter.’ Bon Iver’s debut album has been highly reviewed in publications such as The Village Voice and The A.V. Club and its tracks have been featured on TV shows “Grey’s Anatomy” and “House.” Rolling Stone ranked the debut as number 29 on the Top 50 Albums of 2008 and on January 26 2009, album track “Skinny Love” was announced as the #21 song of the year by Australian national radio station “Triple J.” “Blood Bank,” the new EP that iTunes brought to our iDoorstep, was just released on January 20 of this year. From what I’ve heard from these four little gems, I’m very much looking forward to what’s coming from Bon Iver this year.
“Woods” – a rich harmony of synchronized vocals that is masterfully a cappella
“Beach Baby” – the kind of music Dr. Meredith Grey and company would think to
Thanks once again to iTunes, a thirty-second sample of Gonzales’ piano soloing made the leap from my earbuds to my brain and got absolutely stuck in there. I have to admit, I wasn’t going to spend the money. But for some reason, I kept coming back. The music would not rest until it was tucked away on my iPod, and I think it’s because there something incredibly unique about this music. It’s hauntingly simple – just a solo piano against a fuzzy silence. But it feels as though Gonzales is discovering each track as he plays, showing me the beauty of something so casual as a well-placed triplet.
Gonzales, whose real name is Jason Charles Beck, is about as unbelievably unique as his music. Suffice it to say, despite being a gifted pianist who made his performing career as a jazz virtuoso, Gonzales is best known for his mic-jockeying and electronic albums. He has authored musicals, enjoyed a pop career in the nineties as the leader of alt-rock band “Son”, won an Emmy for soundtrack composition and then moved to East Berlin to become a “Jewish supervillain” as a lyric-spitting mic-jockey. His subsequent rap albums featured several instrumental tracks which highlighted his keyboarding skills, and in 2004 he crafted his first solo piano album (aptly titled “Solo Piano”) – which became his bestselling, and of course, the album I’m digging this week.
In 2008, having re-signed under Mercury Records, Gonzales shifted once again and returned to his pop vocal style. That is in addition, of course, to his continued role in the Berlin-based hip-hop band Puppetmastaz. (Seriously, I’m not making this up.)
I recommend from “Solo Piano”:
“Gogol” – if this were a movie soundtrack, someone would be sneaking around in the shadows
“Armellodie” – a slightly dark melodic exploration in the style of Schumann
Gonzales’ performance of “Gogol”